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・ The Drop
・ The Drop (album)
・ The Drop (Connelly novel)
・ The Drop (film)
・ The Drop (Lehane novel)
・ The Drop (Lethal Bizzle song)
・ The Drop (sculpture)
・ The Drop Box
・ The Drop Hydro
・ The Drop Kick
・ The Drop That Contained the Sea
・ The Droplift project
・ The Dropper
・ The Drought (album)
・ The Drought (disambiguation)
The Drouth
・ The Drover's Boy
・ The Drover's Sweetheart
・ The Drover's Wife
・ The Drover's Wife (short story)
・ The Drovers
・ The Drowned and the Saved
・ The Drowned and the Saved (Law & Order)
・ The Drowned Man (2013 play)
・ The Drowned Vault
・ The drowned woman and her husband
・ The Drowned World
・ The Drowned World (Doctor Who audio)
・ The Drowner
・ The Drowners


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The Drouth : ウィキペディア英語版
The Drouth

''The Drouth'' is an American-format quarterly periodical published in Glasgow, Scotland. It was founded in 2001 by Mitchell Miller and Johnny Rodger.
Although its title is Scots (Eng: ''The Thirst'') the magazine is published mostly in Scottish Standard English though features and fiction do regularly appear in languages such as French, Italian, Spanish, Broad Scots and Scottish Gaelic.
''The Drouth'' is unusual for a Scottish literary magazine in that it only infrequently publishes poetry, arguing that as poetry covers a good portion of other magazines’ content, its efforts are better focused on other art-forms less well represented in Scotland's 'small mags'. The magazine works on a commissioning basis, and does not encourage unsolicited submissions. It has a particular focus on literature, film and politics but also covers visual art, music, architecture, photography and comix, as well as giving generous space to creative fiction.
The magazine sponsors a number of cultural events, mostly in Glasgow. Every issue also features a guest editor (usually someone of distinction in a given field) and guest cover artist.
==Editorial stance==
The Drouth's editorial stance could be described as non-aligned left with occasional anarchistic and libertarian overtones as shown by its ties to radical online publications such as Pulse and Spinwatch, and with the author James Kelman. Nevertheless, it also publishes work by more establishment figures on the left and right of the political spectrum, and editorial board members such as Owen Dudley Edwards retain links to the Scottish National Party and Plaid Cymru. The magazine is a frequent critic of the Scottish Labour Party but maintains it follows no party alignment and is uncommitted on the issue of Scottish independence.
In general, the magazine has taken an aggressively non-institutional stance and has found common cause with magazines such as Variant, though it retains an independent approach on political issues and does not maintain formal links with major organisations and institutions. Its editorial board is nevertheless, drawn from a mainly institutional background across the two major Scottish cities and currently consists of;
*David Archibald, Lecturer, Dept of Film Theatre and Television The University of Glasgow (2006–present)
*Gerard Carruthers, Head of Dept of Scottish Literature, The University of Glasgow (2001–present)
*Steve Davismoon, Composer and lecturer at Napier University, Edinburgh (2003–present)
*Owen Dudley Edwards, Reader in History, The University of Edinburgh (2001–present)
*Dorian Grieve, Editor and Researcher in Linguistics, University of Glasgow (2004–present)
*Simon Kovesi, Head of English and Modern Languages, Oxford Brookes University (2009–present)
*Emily Munro, Head of Learning, Glasgow Film Theatre (2008–present)
*Ruaridh Nicoll, Journalist and novellist (2004–present)
*Miriam Ross, Researcher in film and related studies (also web editor) (2010)
*Elke Weissmann, Lecturer, Liverpool Edgehill University
Editorial board members primarily offer advice, but can also commission work, initiate ideas for issues and get involved in production. Several editorial board members were initially guest editors who joined the permanent staff.

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